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Samuel Smith migrated from Dorset England to Angaston in the colony of South Australia circa 1847, he took up work as a gardener with George Fife Angas, the virtual founder of the colony. In 1849, Smith bought thirty acres and planted vines by moonlight, the first ever vintages of Yalumba. One of his most enduring legacies were some unique clones of Shiraz, which were ultimately sown to the illustrious Mount Edelstone vineyard in 1912. Angas's great grandchild Ron Angas acquired cuttings from the Edelstone site and migrated the precious plantings to his pastures at Hutton Vale. The land remains in family hands, a graze for flocks of some highly fortunate lamb. In between the paddocks, blocks of Sam Smith's experimental vines yield a harvest of.. The return of rootstock to garden of eden»
There are fewer than twenty hectares of Stefano Lubiana vines, overlooking the spectacular tidal estuary of Derwent River. Chosen for its felicitious winegrowing aspects, it is a place of scrupulously clean soils, free of any pesticides or manufactured treatments. Insects are welcome here, they are mother nature's endorsement of a holistically biodynamic viticulture. Lubiana is a fifth generation winemaker, one of the apple isle's leading vignerons, he works to an arcane system of seasonal chronometers, governed by cosmic rhythms, the turning of leaves and angle of the moon. His wines are given full indulgence to make themselves. Ferments lie undisturbed and movements to barrel are led by gravity. A peerless expression of vintage, an orphic.. Celestial wines from southern climes»
Andrew Nugent grew up next door to the great historical wineworks at Penfolds Magill. He honed his craft as viticulturalist and vigneron amongst the illustrious wineries of old McLaren Vale. In the 1990s, Nugent planted new vines at Woodside along Bird In Hand Road, on the site of an ancient gold mine, a godsend of fortuitously fertile soils and magnificent mesoclimes for stellar quality Adelaide Hills wine. Bird In Hand have since amassed a breathtaking tally of international accolades for the unrivalled excellence of their superlative vintages, wonderfully small batch releases, with the magnificence of structure, seamlessness and immaculacy of fruit, to enthuse curio and cognescenti alike... Vivid vintages from the tailings of adelaide hills»

Pressing Matters R69 Riesling CONFIRM VINTAGE

Riesling Coal River Tasmania
A mix of Riesling clones, D2V3 and 198GM, F8V13 and 239GM are planted on their own rootstock at a density of 5000 vines per hectare. Medium sweet dry at 69 grams residual sugar, its bouquet of florals and honeysuckle, oranges and lime precedes a succulent palate in perfect balance, candied apple flavours and white peach are balanced by divine minerality. Pressing Matters are also significantly lower in alcohol than most Australian Rieslings, the intense fruit flavours are balanced by an amazing natural acidity. The Riesling of choice to accompany crayfish or delicately sauced marron.
Available in cartons of six
Case of 6
$239.50
White Any Price All Regions
1369 - 1380 of 1909
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Pressing Matters
Great friends and fellow wine loving barristers, Greg Melick and Francis Douglas, had been interested in acquiring a vineyard for many years

In 2002 Greg finally found the ideal site which consisted of approximately 14 hectares of grazing land on well-drained north east facing slopes, with cracking clay over a calciferous base. The site was also frost free. Robert Drew was contracted to establish the original vineyard for planting - which has now been planted with 2.9 hectares of Riesling and 3.8 hectares of Pinot Noir. In 2006 the demands of the expanding vineyard, and Robert Drew’s own very successful vineyard, necessitated the appointment of full-time viticulturist Paul Smart.

Pressing Matters

Paul is also a talented winemaker and the Pinot Noir is made on-site with the assistance of a Vaslin Bucher basket press and the wise counsel and assistance of neighbour and Morningside winemaker Peter Bosworth. All Pressing Matters’ Rieslings are made under the supervision of Julian Alcorso at Winemaking Tasmania.

In 2008, the tyranny of distance finally took its toll on Francis who sold his interest, but not before Greg and he decided to name the vineyard, Pressing Matters, which was inspired by a print by Tasmanian artist, Tom Samek. It was only fitting that Tom also design the label.

Production remains low but is slowly increasing and to date there has been outstanding success when exhibiting at the Royal Hobart International Wine Show (Trophy for the Most Successful Tasmanian Exhibitor 2009) and Tasmanian Wine Show (Trophy for the Most Successful Exhibitor - 2010, Best Wine of Vintage for 2008 and 2009).

Pressing Matters

While Pinot volumes remained too low to exhibit until the 2008 vintage which won a Silver medal, all but one of Pressing Matters Riesling have won at least a Silver medal including 6 Trophies and 10 Gold medals. As a result of many favourable reviews extensive enquiries have been received from retailers and restaurants but it is Pressing Matters policy, where possible, to hold wines back from release until they have had a chance to start fulfilling their true potential.

Pressing Matters